This work presents the violinist and percussionist less as ‘musicians’, and more as ‘actors’ in an organic environment. The two conventional instruments—violin and bass drum—are featured as only two sounding items amongst a variety of organic objects that include sticks of driftwood, branches of foliage, sand and other ‘unprocessed’ elements. The score acts as a guide to a choreography of interaction, in which the performers explore embodied gesture and corporeal ‘states of being’, sometimes frozen, sometimes acting on the edge of audibility, sometimes dramatically abrupt. The action unfolds a kind of atmosphere of ‘care’ and ‘love’ for these inanimate objects, however, with processes of ‘gathering’, ‘dispersing’ and ‘sonifying’, until eventually a sporadic rhythmic process is coaxed out of the freer explorations of sound and gesture.