Works (all: alphabetical order)

14 Islands (2005) for flute (dbl. bass flute), prepared harp and unpitched percussion

c. 11 mins

Aeolian Fields (2024) for cello and live electronics

4 mins

Amato (2008) for solo piano

c. 7 mins

Another Time (2023) for guzheng, cello and piano

guzheng (scordatura), cello (scordatura), perc: kalimba (diatonic), concert bd., sus. cym., floor tom, 5 sm.–med. skin drums (e.g. bongos)

c. 8 mins

Ars Moriendi (2008) for bass clarinet duo

c. 4 mins

BADB (2002) for flute and piano

c. 8 mins

Blindsight (2008) for Pierrot ensemble

fl., cl., , pno., vn., vc.

c. 7 mins

Braid (2024) for eight cellos, or solo cello and seven prerecorded cellos

6 mins

Chrysalis (1996) for solo flute and prerecorded audio

10 mins

Cirrus Drift (2024) for solo cello and live electronics

8:30

Claro (2015) for orchestra

2(2=picc.).1.ca.2.2; 4.2.3.1; timp, perc(3); pf, hp; str.

c. 18 mins

De Corporis Fabrica (2012) for solo clarinet (amplified)

c. 25 mins

Deep Field I (2012) for bass-baritone and live electronics

c. 25 mins

Deep Field II (2015) for solo violin and live electronics

c. 7 mins

Deep Field III (2016) for solo flute and live electronics

c. 25 mins

Deep Field IV (2017) for solo soprano saxophone and live electronics

c. 13 mins

Dirty Pixels (2004) for piano trio

c. 12 mins

Entangled Time (2019) for solo cello

c. 8 mins

Exitus (2009) for string quartet

c. 21 mins

Gyri (2014) for mixed ensemble

fl. (dbl. picc.), ob., cl., tbn., pno., vn., va., vc.

c. 12 mins

Heart Across Night (2014) for trombone, double bass, drum kit

c. 7 mins

Heavy Traffic (2006) for contrabassoon and orchestra

2(2=picc).1.ca.ebcl.bcl; 2.2.1.1; timp, perc (3); hp; str

c. 11 mins

Horizon Fields (2021) for piano trio

violin, cello, piano

c. 13 mins

Icons and Artifice (2007) for bass clarinet duo, ensemble and live electronics

fl. (dbl. bfl. & picc.), cl., 2 bcl., C tpt., 2 perc., hp., pf., 2 vn., vc., live elecs.

c. 13 mins

In drifts (2021) for violin and percussion

c. 10 mins

In the Rangitaki Valley (2023) for soprano and piano

c. 5 mins

Inner Phases (2013) for string quartet and Chinese instrument ensemble

dizi (dbl. xiao), yangqin, pipa, sanxian, daruan, guzheng, sheng, perc., 2 erhu, 2 vn., va., vc.

c. 20 mins

Khoomei Loops (2015) for mixed ensemble

fl (dbl. picc.), cl., asax., pno., perc. (mar./vib.), vn., va.

c. 9 mins

La fugicitá del suono (2012) for solo flute and live electronics

c. 6 mins

Machine Noises (2006) for solo piano

c. 6 mins

Mesophase (2015) for mixed ensemble

fl. (dbl. bfl., slide whist.), ob. (dbl. melodica), cl., hn., C tpt., perc., hp., vn., va., vc., db.

c. 6 mins

Nightdances (1999) for orchestra

picc.2.2.ca.2.bcl.2; 4.4.3.1; timp, 3perc; hp, pf; str

c. 9 mins

Orbits of Influence (2011) for 12 saxophones

c. 9 mins

Oro Rua Rangi ki te Whenua (2024) for taonga puoro and live electronics

two versions: 10 mins and 60 mins

Piccled (2017) for solo vocalising piccolo

c. 1 min

Prolation canon on a theme by Hildegard von Bingen (2013) for spatialised string quartet

c. 8–10 mins

Prolation canon on an ancient Hurrian hymn to Nikkel (2014) for spatialised string quartet

c. 8–10 mins

Rauoterangi (2019) for solo piano

c. 4 mins

Rays of the sun, shards of the moon (2003) for orchestra

3(1,2,3=picc, 3=afl).2.ca.2.bcl.2.cbn; 4.4.3.1; timp, 3perc; hp, pf; str

c. 9 mins

Rerenga (2022) for taonga puoro, orchestra and live electronics

2(fl1=bfl, Fl2=afl).2(cl2=bcl).2.2; 4.2.2.0; timp, perc(2); taonga puoro (ampl.); live elecs; str.

c. 11 mins

Save Yourself (2012) for mixed ensemble

fl. (dbl. melodica), cl. (dbl. melodica), acc. (dbl. flexatone), synth, vn. (dbl. melodica), vc. (dbl. melodica)

c. 9 mins

Sgraffito (2010) for chamber orchestra

2(2=picc).2(2=ca).2(2=bcl).2; 2.2.3.0; 2perc; str

c. 11 mins

SoundCathedral (2026) for choir, ensemble, organ, bells, taonga puoro ensemble and live electronics

76 mins

SoundCathedral for

Spectral Cascades (2024) for cello and live electronics

c. 5 mins

Splinter Cells (2005) for saxophone and mixed ensemble

fl. (dbl. picc.), ob., cl., asax. (dbl. bsax.), hn., tpt., tbn., perc., pf., 2vn., va., vc., db.

c. 15 mins

Sygyt (2017) for throat singer, ensemble and live electronics

fl. (dbl. bfl., picc.), cl., hn., btbn., 2 vn., va., vc., db., throat singer (ampl.), live elecs.

c. 15 mins

Tesserae…interstices (2007) for clarinet and mixed ensemble (Pierrot plus vibraphone)

fl., solo cl., vib., pf., vn., vc.

c. 15 mins

The Spaces In Between (2025) for piano trio

violin, cello, piano

c. 12 mins

Tidal Flow (2017) for percussion quartet with optional robotic percussion

c. 6 mins

TIMEDANCE (2012) for string trio and piano

2 violins, viola, piano

c. 35 mins

To the names that have left (2017) for chamber choir

SSAATTBB

c. 6 mins

Traiga cuentos la guitarra (2017) for solo guitar

c. 8 mins

Tre Canzoni Imperfette (2011) for solo flute

c. 8 mins

Violin Concerto ‘Sama’ (2018) for violin and orchestra

2(2=picc).2(2=ca).2.2; 4.2.3.1; timp, 2perc; pno/cel; hp; str

c. 16 mins

Volti (2006) for piano and orchestra

picc.1.1.ca.ebcl.bcl.1.cbn; 4.2.3.1; pf, cel, hp; timp, 3 perc; str

c. 8 mins

Waipounamu (2024) for solo violin and fixed electronics

5:25

Wind Shear (1999) for solo flute

c. 10 mins

Written in Sand (2024) for solo cello and electronics

6:30

Works (all: alphabetical order)

Michael Norris